1971–1975: early years

Kiss traces its roots to Wicked Lester, a New York City–based rock band led by Gene Simmons and Paul Stanley. That band recorded one album, which was shelved by Epic Records, and played a handful of live shows. Simmons and Stanley, feeling a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group.

Kiss was formed in 1973. After breaking up Wicked Lester late in 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a drummer from the New York City scene who had previously played in the bands Lips and Chelsea. Simmons and Stanley met Criss in a nightclub where he was playing drums. After hearing Criss sing, they thought Criss should be in the new band they were forming. Criss then auditioned for, and later joined their new band. The three focused on a much harder style of rock than that played by Wicked Lester. In November 1972, the band played a showcase for Epic Records A&R director Don Ellis, in an effort to secure a record deal. In early January 1973, the group added lead guitarist Ace Frehley. Frehley impressed the group with his first audition, and was asked back for a second audition. A few weeks after Frehley joined, the classic lineup was solidified as the band to be named Kiss. They also began experimenting with their image, by wearing makeup and various outfits.

1975–1978: rise to prominence

I saw a pattern emerging with us on the road. Every night, I'd ask somebody before the show, "How are we doing?", which meant, "What's the attendance?" One night they said, "It's sold out," and then the next night I'd hear the same thing. All of a sudden it was becoming the norm. For me the first realization that things were on an upswing was when we played the Hara Arena in Dayton, Ohio. Before the show I went on stage, looked out through the curtain and saw this big crowd, and said to myself, "My God, this is really happening!"

Kiss wanted to express the excitement felt at its concerts (which its studio albums had so far failed to do) with its first live album. Compiled from concerts recorded between May and July in Wildwood, New Jersey, Detroit and Cleveland, and released on September 10, 1975, Alive! achieved Gold status and spawned Kiss's first top 40 single: a live version of "Rock and Roll All Nite". It was the first version of the song with a guitar solo, and this recording has become the best-known version. It is also the basis of most covers, such as the cover by Poison in 1987. In recent years, the band admitted that additional audience noise had been added to the album, as well as overdubs on select guitar and vocal spots, not to deceive fans, but to add more "excitement and realism" to the record.

1978: Solo and film projects

Alive II was the band's fourth Platinum album in just under two years, and the ensuing tour had the highest average attendance in the group's history. In addition, Kiss's gross income for 1977 was $10.2 million. The group, along with manager Aucoin, sought to push the brand harder. To that end, an ambitious, two-pronged strategy was devised for 1978.

The first part involved the simultaneous release of four solo albums from the members of Kiss. Although Kiss has claimed that the solo albums were intended to ease rising tensions within the band, its 1976 record contract did in fact call for four solo records, each of them counting as half an album toward the group's five-record commitment. Each album was a solo effort (none of the group appeared on another's album), however all were released and marketed as Kiss albums (with similar cover art and poster inserts). It was the first time that all current members of a rock band had released solo albums on the same day.

1979–1983: final makeup years

Kiss's first album of new material in two years, Dynasty (1979), continued the band's Platinum streak. The disco-flavored "I Was Made for Lovin' You" became one of the band's biggest hit singles to date, peaking at No. 11. Session drummer Anton Fig performed almost all the percussion on the album while Criss recovered from an automobile accident. The only song to feature Criss's drumming was "Dirty Livin'", on which he also sang lead. The album is also notable due to Frehley singing three lead vocals versus Simmons's two, which he put down to increased confidence following the success of his solo album.

Billed as "The Return of Kiss", the Dynasty Tour was expected by Kiss and their management to build on the success of previous tours. Plans were drawn up for a Kiss-themed traveling amusement park called "Kiss World", but were abandoned because of the immense costs involved; however, "The Return of Kiss" saw a marked decline in attendance.

The crowds on this tour were much younger than previous audiences had been, with many preadolescent children in Kiss makeup with their mothers and fathers (who were sometimes wearing the makeup themselves) in tow at most concerts. Kiss themselves did little to dissuade this new fan base, donning colorful costumes that reinforced a cartoonish image for these younger fans.

1983–1996: unmasking

Sensing it was time for a change, Kiss made the decision to abandon their trademark makeup and costumes. The band officially appeared in public without makeup for the first time since their very early days on a September 18, 1983, appearance on MTV, which coincided with the release of Lick It Up. The tour to promote the new album and the unmasked band members began in Lisbon, Portugal, on October 11, 1983, at Pavilhão Dramático de Cascais, the band's first concert without makeup since early 1973. Lick It Up became Kiss's first Gold record in three years, but the tour was even more sparsely attended than the previous one. Vincent did not get along with Simmons and Stanley, and he left the band at the conclusion of the tour in March 1984. Vincent's replacement was Mark St. John, a session player and guitar tutor.

1996–2001: original lineup reunion tour and remasking

On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set: "Beth", "2000 Man", "Nothin' to Lose" and "Rock and Roll All Nite". The Unplugged appearance set off months of speculation that a possible reunion of the original Kiss lineup was in the works. In the weeks following the Unplugged concert, however, the band (with Kulick and Singer) returned to the studio for the first time in three years to record a follow-up to Revenge. Carnival of Souls: The Final Sessions was completed in February 1996, but its release was delayed for almost two years. Bootleg copies of the album circulated widely among fans. While Kiss continued to exist publicly as Simmons, Stanley, Kulick and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since its 1983 unmasking on MTV. With the following statements, Tupac Shakur introduced the original Kiss lineup, in full makeup and Love Gun-era stage outfits, to a rousing ovation at the 38th Annual Grammy Awards:

You know how the Grammys used to be, all straight-looking folks with suits. Everybody looking tired. No surprises. We tired of that. We need something different, something new, we need to shock the people ... so let's shock the people!

2001–2008: post-reunion

On the eve of the Japanese and Australian leg of the Farewell Tour on January 31, 2001, Criss suddenly left the band once again, because he and the band could not come to agreement with his contract salary. Taking his place was previous Kiss drummer Singer who assumed Criss's Cat persona as the Farewell Tour continued.

With the band supposedly set to retire by early 2001, a career-encompassing collection entitled simply The Box Set, consisting of 94 tracks on five CDs, was released in November of that year, while the summer saw perhaps the most outrageous item of Kiss merchandise yet – the Kiss Kasket. In introducing the Kiss Kasket, Simmons quipped, "I love livin', but this makes the alternative look pretty damn good."

On December 4, 2001, Kiss was one of the honorees at the National Academy of Recording Arts and Sciences ("The Recording Academy") Heroes Award ceremony, at the NARAS New York Chapter. NARAS has 12 chapters throughout the United States, hence 12 ceremonies throughout the year, with the honorees each being honored by the chapter closest to their residence. By receiving this honor, which NARAS has renamed the "Recording Academy Honors", Kiss effectively received NARAS's second-highest career honor, right behind the Lifetime Achievement Grammy Award.

2008–2012: Sonic Boom and Monster